Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These are, in some ways, classic performances that are hors concours. In both Mahler cycles, I had forgotten just how...
Reviewed by Alan Blyth in issue: 10/1986
Brendel’s latest recording‚ of K271 and K503‚ is alive with provocation‚ subtlety and distinction. In both widely contrasted concertos he...
Reviewed by Bryce Morrison in issue: 7/2002
As the distinguished German-baroque scholar John Butt points out in his clear and informative note, Johann Kuhnau (1660-1722) is often...
Reviewed by Jonathan Freeman-Attwood in issue: 11/1998
Centenary celebrations are all very well for promoting and focusing attention on their given subject (one day the lucky centenarian...
Reviewed by Michael Stewart in issue: 11/1991
All credit to Emmanuelle Bertrand for choosing an all-20th-century programme for her first solo recital. Its content is as well...
Reviewed by Arnold Whittall in issue: 11/2000
When the LP of this Bernstein version of Petrushka appeared, I compared the sound unfavourably with the DG recording of...
Reviewed by Edward Greenfield in issue: 7/1985
A subtle piece of programme planning. The ‘normal’ coupling for Ravel’s Quartet is Debussy’s‚ to which Ravel was to a...
Reviewed in issue 11/2001
''Suites For Dancing'' is the title of this disc yet Bach's Orchestral Suites were probably not intended for dancing; indeed,...
Reviewed by Nicholas Anderson in issue: 10/1991
Since Vol 1 of this series, La Serenissima have had the sense to elevate to larger type the disc’s subheading,...
Reviewed by Lindsay Kemp in issue: 10/2007
There is some outstanding choral singing here, particularly in the six Madrigali. These are vocally challenging works demanding the kind...
Reviewed by Marc Rochester in issue: 4/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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