Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Making Bartok's First Piano Concerto sound fun must have taken some doing, but Donohoe and Rattle have certainly managed it....
Reviewed in issue 11/1993
''One of the great things about Jascha Heifetz,'' said violinist Aaron Rosand in a recent interview, ''... is that, musically...
Reviewed in issue 11/1994
Shafts of twilight fall across Peter Eotvos’s Replica for viola and orchestra much as they do in his opera Three...
Reviewed by Rob Cowan in issue: 7/2000
In 1787, Haydn referred to the progress of this set of quartets in letters to his publisher, Artaria. Conscious of...
Reviewed by DuncanDruce in issue: 10/2004
Henze's enormous song-cycle Voices (1973), is one of his most important and vital compositions. It is a product of the...
Reviewed in issue 12/1995
This coupling may be well-tried but it remains a good and appropriate one, linking two lyrical Romantic concertos (of 19...
Reviewed in issue 10/1984
The three works on this disc were written within two years (1964-6), yet are each of radically different character to...
Reviewed in issue 12/1997
This is a really rather dreary account of Bruckner’s Second Symphony, said to have been recorded live in the Berlin...
Reviewed by Richard Osborne in issue: 12/1998
Whether in performance or on disc, Brett Dean’s stock has risen considerably this last decade, and this follow-up to an...
Reviewed by Richard_Whitehouse in issue: 11/2009
There is an appealing spring in the step of these performances of the first six concertos of Handel's great Op....
Reviewed by Nicholas Anderson in issue: 10/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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