Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Amato was born in Naples in 1878, where he sang Giorgio Germont in La traviata in 1900 – the same...
Reviewed by Patrick O'Connor in issue: 6/1999
The cello sonatas by Rachmaninov and Shostakovich make a good pairing, as more than one cellist has found, most recently...
Reviewed by John Warrack in issue: 13/2008
The LP of this recital was one of a handful of Bach issues which gave me immense enjoyment when I...
Reviewed by Nicholas Anderson in issue: 1/1986
How many singers have ever undertaken a recital of this length and variety, and executed it with such consummate mastery?...
Reviewed by Alan Blyth in issue: 2/1989
This is a magnificent record. In January I admired the recording by the GMJO under Welser-Möst – but this is...
Reviewed by Ivan March in issue: 9/2006
Christine Brewer is a generous, warm-hearted artist, as her recent Leonore in the Opera-in-English Fidelio showed (8/05), but to ask...
Reviewed by Alan Blyth in issue: 10/2005
An engaging introduction to the nimble Schumannesque music of violinist-turned-composer Antonio Bazzini (1818-97) begins with mature and accomplished works. The...
Reviewed by mquinn in issue: 7/2000
With astonishingly full mono sound, this first disc in the RPO Legacy series vividly captures the tense excitement of the...
Reviewed by Edward Greenfield in issue: 13/1998
It is no easy task to find a suitable category in which to place this recording. La Reverdie (‘Springtime’? ‘Green...
Reviewed in issue 9/2001
‘A hit‚ a very palpable hit’ is how Opera editor‚ Harold Rosenthal‚ greeted this ENO production of Otello when it...
Reviewed in issue 12/2001
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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