Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The most desirable item in this collection, I feel, is the one not conducted by Harty, but by the 24-year-old...
Reviewed in issue 9/1990
Though not quite such an obvious recommendation as the Milanov/Bjorling Aida reviewed below, this set is well worth hearing and...
Reviewed by Alan Blyth in issue: 8/1988
The happy news here is the very first recording of The Veil of Pierrette, four scenes from a mimed entertainment...
Reviewed in issue 9/1999
I doubt whether this is going to join my three or four preferred recordings of all time of these pieces...
Reviewed by Stephen Plaistow in issue: 5/1997
Fascinating and individual in Debussy (1/01), Cédric Tiberghien now moves into Beethoven’s more rugged and forthright terrain, demonstrating his versatility...
Reviewed by Bryce Morrison in issue: 4/2003
Two – very different – concerts‚ the first a 1987 Barbican gala‚ well received at the time‚ with Solti and...
Reviewed in issue 12/2001
Hard on the heels of Richard Lea’s Lefébure-Wely discs (Priory, 7/07) comes Joris Verdin’s disc on Ricercar. Three pieces are...
Reviewed by Christopher Nickol in issue: 10/2007
The first three of Richard Arnell’s six string quartets date from his sojourn in New York City. Composed in 1939,...
Reviewed by Andrew Achenbach in issue: 11/2011
It seems just a little surprising that a CD purporting to feature ‘Tangos of Barcelona’ should open with music by...
Reviewed by Rob Cowan in issue: /2000
The idea of building a Handel opera recital around a particular singer in Handel's company may work especially well if...
Reviewed by Stanley Sadie in issue: 3/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.