Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
With the Emerson Quartet we’re guaranteed a high level of technical accomplishment and the group’s liking for closely miked, well...
Reviewed by DuncanDruce in issue: 6/2006
Kalevi Aho’s Symphonic Dances (2001) bear the subtitle ‘Hommage à Uuno Klami’ – and therein lies the clue to the...
Reviewed by Andrew Achenbach in issue: 7/2004
Protschka follows his much-admired Capriccio account of Die schone Mullerin (C27 089; '' 10 082, 6/87) with these almost equally...
Reviewed by Alan Blyth in issue: 12/1988
Dvorak's ever-popular Slavonic Dances have been well represented in the catalogue as long as I remember, so that interest here...
Reviewed in issue 3/1985
Born in 1866, 10 years after the death of his illustrious namesake Robert, the German composer Georg Schumann produced more...
Reviewed by Malcolm Riley in issue: 2/2001
There are many recordings of Monteverdi’s 1610 Vespers available. Despite a vocal cast which includes some well-known names, this one...
Reviewed by Fabrice Fitch in issue: 6/1999
In the Chamber Orchestra of Europe, Harnoncourt has an instrument minutely responsive to his every intention, though, every now and...
Reviewed by John Steane in issue: 2/1995
Improvised music in the contemporary classical tradition is rarely heard on CD, perhaps because the medium’s permanence is in obvious...
Reviewed by Fabrice Fitch in issue: 2/2001
Siegfried Wagner had some talent for opera, but none for symphonic music. Back in 1832, his father’s youthful attempt at...
Reviewed by Arnold Whittall in issue: 5/1998
This is a pleasant surprise. Raymond Leppard launched his edition of Poppea at Glyndebourne in 1962; an abridged recording appeared...
Reviewed by Richard Lawrence in issue: 9/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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