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Review of Swayne Choral Works

Swayne Choral Works

Giles Swayne (b.1946) shares with his British near-contemporaries, Colin Matthews and Diana Burrell, an ability to write music of very...

Reviewed by Arnold Whittall in issue: 8/1998

Review of Schumann Song Cycles

Schumann Song Cycles

If I wanted to recommend a version of these two cycles to a young, impecunious person just coming to Lieder,...

Reviewed by Alan Blyth in issue: 6/1994

Review of Pärt Kanon pokajanen

Pärt Kanon pokajanen

Kanon pokajanen is music of transition, best heard at break of day or at eventide. The prompting ‘canon or repentance’...

Reviewed in issue 6/1998

Review of A Tabernacle Organ Duo Extravaganza

A Tabernacle Organ Duo Extravaganza

This record is my 'turkey' of the year. The Salt Lake Tabernacle organ is an impressive instrument and with four...

Reviewed by Ivan March in issue: 10/1991

Review of Stravinsky Les Noces

Stravinsky Les Noces

So much trouble did the instrumentation of Les noces cause Stravinsky that he himself claimed not to know how many...

Reviewed in issue 1/1989

Review of Brahms Ein deutsches Requiem

Brahms Ein deutsches Requiem

This is rather like Herreweghe’s recording of the Beethoven Missa solemnis, which was welcomed by EG (12/95) and enjoyed a...

Reviewed in issue 11/1996

Review of Boccherini Piano Quintets

Boccherini Piano Quintets

This is the second CD in what I trust will be a series of four, with all 12 of the...

Reviewed by Stanley Sadie in issue: 4/1994

Review of Franco Corelli – (The) Unknown Recordings

Franco Corelli – (The) Unknown Recordings

In his book Sopranos, Mezzos, Tenors, Basses and Other Friends (Crown: 1995), Schuyler Chapin, general manager of the Metropolitan Opera...

Reviewed by Patrick O'Connor in issue: 3/2004

Review of Mondonville: Motets

Mondonville: Motets

This is a welcome issue on two counts. First, the performances are in the hands of a director who well...

Reviewed by Nicholas Anderson in issue: 11/1988

Review of Musica da camera

Musica da camera

This is an agreeably undemanding work for the listener, but far from undemanding for the violinist when such very fast...

Reviewed in issue 6/1985


 

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