Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Twentieth-century musical tastes have promoted Schumann’s Cello Concerto from the lowly status of shrinking violet to a more appropriate position...
Reviewed in issue 9/1997
The Husum piano festival in Germany is dedicated to unfamiliar keyboard repertoire. Here, where Beethoven is banned and Schubert shunned,...
Reviewed by Jeremy Nicholas in issue: 11/2007
A good old-fashioned assortment of arias, most of them popular, all of them as generous in melody as in emotion,...
Reviewed in issue 5/1991
This is the first of the Cherubini Quartet's projected cycle of the complete string quartets of Mendelssohn and Schumann, two...
Reviewed by Joan Chissell in issue: 11/1990
I share JOCs pleasant surprise at the quality of Martha Argerich's Bach pianism and cannot help wondering why, over eight...
Reviewed by John Duarte in issue: 12/1988
It would almost be worth acquiring these two discs for the conducting. Not having heard Mackerras direct these concertos before,...
Reviewed by Richard Osborne in issue: 8/2009
Of these four recordings, the oldest, made in the early 1970s, presents the most varied portrait of Carissimi. Although the...
Reviewed by Fabrice Fitch in issue: 12/2003
Franz Schmidt, once a cellist in the Vienna Court Opera Orchestra, was scathing about the talents of Josef Bayer, ballet...
Reviewed by Andrew Lamb in issue: 7/2004
Anyone who can shape Rachmaninov with Shelley's instinctive feeling for those subtle internal rubatos has to be a natural for...
Reviewed by Edward Seckerson in issue: 3/1993
Onyx Brass’s spaciously recorded recital of Bach and Shostakovich fugues provides an unusual juxtaposition of a celebrated master-apprenticeship separated by...
Reviewed by Jonathan Freeman-Attwood in issue: 9/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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