Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In their half-century of active life (1917-67), the Budapest Quartet naturally changed their personnel and, famously, their essential style when...
Reviewed by John Warrack in issue: 2/1997
It is such an obvious idea to combine Hartmann’s Concerto funebre (1939, rev 1959) with the four unaccompanied works from...
Reviewed by Guy Rickards in issue: 10/2007
Music with healing in its touch, no mere complacency in its beneficence, and a technical mastery that fortifies its gentleness...
Reviewed in issue 3/1994
If proof were required that the harpsichord is not an inexpressive instrument this recording would provide it and, when it...
Reviewed by John Duarte in issue: 4/1989
Decca were the first to give us a complete mono Sibelius cycle from the same artists, Anthony Collins and the...
Reviewed by Robert Layton in issue: 8/1985
If The Seasons still lags far behind The Creation in popularity, Haydn's sublime, joyous vision of Arcadian innocence and harmony...
Reviewed by Richard Wigmore in issue: 2/1994
Witty and sentimental but also at times hair-raisingly cruel, Il Signor Bruschino is the last, and arguably the best, of...
Reviewed by Richard Osborne in issue: 12/1993
Recorded live in Carnegie Hall in November 1938, these Wagner performances, never issued before, are astonishing on several counts. First...
Reviewed by Edward Greenfield in issue: 3/1995
Although Tauber shouldn't serve as a model for singers aspiring to become Lieder specialists, his accomplishments in this field are...
Reviewed by Alan Blyth in issue: 4/1990
When prizes are distributed at the Met, it often seems that the soloists get theirs and that even the chorus...
Reviewed by John Steane in issue: 12/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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