Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The longest work on this valuable disc is unfortunately the least interesting. Denisov’s Choruses for Medea were written in January...
Reviewed in issue 12/1996
his is proving a most likeable Nielsen cycle – not quite as classily played as Blomstedt’s with his San Franciscans...
Reviewed in issue 11/2001
Of all the criticisms of Tan Dun’s work, arguably the most damning and least sensible have come from those, particuarly...
Reviewed by K Smith in issue: 4/2005
Go straight to track 8 and hear William Bolcom’s songcycle I will breathe a mountain‚ composed for Marilyn Horne to...
Reviewed in issue 4/2002
Avid listeners to Renaissance music may know Brumel's glorious 12-voice Mass Et ecce terrae motus, recorded twice in recent years;...
Reviewed by David Fallows in issue: 7/1994
Unimportant Beethoven, some would say. The Trio for flute, bassoon and piano belongs to the quite small number of works...
Reviewed by Stephen Plaistow in issue: 5/1985
Mendelssohn had already written three concertos (D minor Violin Concerto, A minor Piano Concerto and D minor Concerto for violin...
Reviewed by Jeremy Nicholas in issue: 11/2010
Menuhin has recorded the Bartok concerto on four occasions and this his second version, is the odd one out, since...
Reviewed in issue 10/1989
Here we have yet another recommendable version by a tenor to add to those listed above, one complementary to the...
Reviewed by Alan Blyth in issue: 2/1997
''A countertenor is penetrating the era of Viennese classicism. What was right for Handel is proper for Mozart'' begins the...
Reviewed by Stanley Sadie in issue: 3/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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