Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The score for this improbable thriller starring Jodie Foster is an unusually subdued affair. The booklet carries no plot synopsis,...
Reviewed by kYlzrO1BaC7A in issue: 0/0
With the Abbey this year celebrating the 900th anniversary of the monks’ arrival at Tewkesbury‚ it is a good time...
Reviewed in issue 8/2002
The annual Nobel Prize Concert in Stockholm is held as a tribute to the year’s Nobel Laureates. This live recording...
Reviewed by Jeremy Nicholas in issue: 2/2011
Bortnyansky, author of six operas, a small quantity of chamber music and a vast amount of liturgical music, has been...
Reviewed by Ivan Moody in issue: 1/2001
Ronald Smith’s Beet-hoven is straightforward to the point of matter-of-factness. Perhaps that is the very point he is trying to...
Reviewed by David Fanning in issue: /2000
The fourth stage in Robert King's Purcellian journey offers the usual contrasting scenery, with a familiar landmark cannily placed to...
Reviewed by Lindsay Kemp in issue: 9/1993
Here is a thoughtfully constructed programme of Vivaldi's concertos which makes effective use of contrasting textures and sonorities. Little of...
Reviewed by Nicholas Anderson in issue: 5/1988
With Sofia Gubaidulina's imposing Symphony Stimmen-Verstummen among several of her major works awaiting its first recording, and with each of...
Reviewed in issue 7/1993
Marek Stachowski (1936-2004) is a member of the generation of Polish composers overshadowed by (and indebted to) Lutosawksi and Penderecki....
Reviewed by David Gutman in issue: 7/2010
In principle, nothing could be more commendable than the spirit of exploration that enables Marco Polo to come up with...
Reviewed by Arnold Whittall in issue: 2/1995
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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