Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Hansjorg Schellenberger has been principal oboist of the Berlin Philharmonic Orchestra for the past 11 years and his distinctive style...
Reviewed in issue 5/1991
Yes, Le villi is early Puccini, but the accent should be on the composer's name, not on the adjective. There...
Reviewed by Michael Oliver in issue: 5/1988
The 1996 Husum Festival of Piano Rarities was the tenth such event organized by Peter Froundijan (recorded highlights have been...
Reviewed by Tim Parry in issue: 12/1997
That Ernest Tomlinson earns a second volume in this Marco Polo series before we have had even a first volume...
Reviewed by Andrew Lamb in issue: 3/1995
Though the competition in this favourite coupling is fierce, even in the super-budget category, there is room for a new...
Reviewed by Edward Greenfield in issue: 5/1997
Samuel Barber wrote his Agnus Dei in 1967 following a suggestion that he turn the ever-popular Adagio for Strings into...
Reviewed by Marc Rochester in issue: 13/2003
The riotous Shostakovich encore apart, these are unusually thoughtful performances, benefiting from some notably articulate orchestral playing (try the Rimsky...
Reviewed by Andrew Achenbach in issue: 5/1999
Bellérophon, the second collaboration between Lully and Thomas Corneille, begins with a Prologue in which Louis XIV – here called...
Reviewed by Richard Lawrence in issue: 7/2011
Following up his masterly series of recordings of the Haydn Masses, Richard Hickox with the choir and orchestra of Collegium...
Reviewed by Edward Greenfield in issue: 12/2002
Much needs to be clarified about this disc of Mexican music from the 1930s and 1940s. Intensive search in atlases...
Reviewed by Lionel Salter in issue: 12/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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