Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A second Naxos volume of violin concertos by the dashing violinist, swordsman and sometime soldier Joseph Boulogne, Chevalier de Saint...
Reviewed by Lindsay Kemp in issue: 13/2004
Claudio Abbado’s name has not been much associated with Mozart’s over the years – he himself says that he has...
Reviewed by Lindsay Kemp in issue: 13/2008
My hackles rose before I had played even a note of this disc. We are presented with, in what passes...
Reviewed by Alan Blyth in issue: 9/2007
There are some musicians, I am told, who question the abilities of Julian Lloyd Webber as a cellist and Menuhin...
Reviewed in issue 7/1986
For this recording Viktoria Mullova uses a 1750 Guadagnini violin, gut-strung and with a Baroque bow though not, I suspect,...
Reviewed by Lindsay Kemp in issue: 9/2007
The wistful artistry of Arthur Grumiaux serves chamber music handsomely, although fine versions of the Mozart, Beethoven and Berg concertos...
Reviewed in issue 11/1993
This long, loud, intermittently violent, occasionally funny melodramma giocoso was written by Rossini for Rome’s Apollo Theatre during the carnival...
Reviewed by Richard Osborne in issue: 8/2000
‘June 1804’ says the legend at the film’s opening. Denis Matthews (in his Master Musicians volume, Dent: 1985) thought it...
Reviewed by Peter Quantrill in issue: 9/2005
Johann Christian Bach, who converted to Catholicism during his years in Italy, composed a handful of motets but no complete...
Reviewed by Stanley Sadie in issue: 2/2003
As can be seen from the timing, this CD is remarkably generous and at 74 minutes one of the longest...
Reviewed by Ivan March in issue: 12/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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