Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Nineteen-sixty-nine is long enough ago in the history of sound and vision to feel primitive compared to today’s technology, but...
Reviewed by Mike Ashman in issue: 9/2007
Sharon Kam is a clarinettist with an exceptionally wide expressive range. Here she couples the two Mozart masterpieces inspired by...
Reviewed by Edward Greenfield in issue: 12/2011
As always, the shadow of Mstislav Rostropovich looms large here. Daniel Müller-Schott was fortunate enough to work on Britten’s three...
Reviewed by Richard Fairman in issue: 10/2011
It is good to welcome an all-American performance of this most British of concertos that is so thrillingly passionate. David...
Reviewed by Edward Greenfield in issue: 12/2008
Andre Watts has always enjoyed superstar status in his native America. But although a charismatic public performer he finds it...
Reviewed by Bryce Morrison in issue: 7/1996
The Genz brothers are among the most promising young singers around and this disc brings them happily together. Regrettably, Mozart...
Reviewed by Stanley Sadie in issue: 2/2004
A strong contender in a crowded field, with clearly delineated instrumental lines (woodwinds, timps and secondary strings come over especially...
Reviewed in issue 6/1999
The most substantial work offered here by the Spanish pianist Susana Marin (a graduate of the Guildhall School of Music)...
Reviewed by Lionel Salter in issue: 4/1993
A very domestic disc indeed, this: everything sung in Finnish, and most of the music by composers unknown outside their...
Reviewed by Ivan Moody in issue: 5/2004
Duplications of these masterpieces have been arriving so fast that it is a relief when newcomers find so clear a...
Reviewed by Edward Greenfield in issue: 3/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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