Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here is a rare quarry of film footage which can hardly fail to delight anyone who is interested in Beecham,...
Reviewed in issue 5/2001
With this issue Mikhail Rudy and the St Petersburg Philharmonic under Mariss Jansons complete their well-recorded EMI cycle of the...
Reviewed by Bryce Morrison in issue: 2/1995
Here we have Wagner’s original plan for his first masterpiece conceived for a premiere in Paris that never happened. It...
Reviewed by Alan Blyth in issue: 5/2005
Hugh Wolff and the Minnesota-based Saint Paul Chamber Orchestra won high praise for their recent Copland disc (7/91). Here, in...
Reviewed by Richard Wigmore in issue: 9/1991
As I suggested in July when reviewing a recording by Annie Fischer, Schubert and Liszt make complementary rather than strange...
Reviewed by Bryce Morrison in issue: 9/1992
The Coull Quartet's selection is an interesting one, comprising Mendelssohn's first essay in the string quartet genre (in E flat),...
Reviewed by John Warrack in issue: 11/1992
Sometimes I think contemporary quartets, from Kronos down, have lost faith in their tradition and medium. Gimmicks, guests and transcriptions...
Reviewed by bwitherden in issue: 4/2005
I’d be interested to know how genuinely “live” this 2006 version of Philip Glass’s Music in Twelve Parts is, and...
Reviewed by Philip_Clark in issue: 12/2008
The confluence of artistic endeavour on this new Sony disc of Bach cantatas recalls triumphs of yesteryear. Gustav Leonhardt, now...
Reviewed by Nicholas Anderson in issue: 1/1997
This invaluable issue restores not only the pioneering recording of Frank Martin’s masterpiece, the Petite Symphonie concertante for harp, harpsichord,...
Reviewed by Robert Layton in issue: 8/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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