Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Farrer's slow basic tempos for Dances Nos. 2-4 sent me scurrying for the score. It's unlikely that the speed at...
Reviewed by John Steane in issue: 3/1991
Calling these pieces 'chamber works' is probably another of Frank Zappa's jokes: the biggest of them are inventively scored for...
Reviewed by Michael Oliver in issue: 4/1985
This disc of sonatas by Vivaldi is an attractive one in which the oboe provides the most important ingredient. The...
Reviewed by Nicholas Anderson in issue: 11/1993
These things endear themselves, for the most part silently, over the years. After all, you don't hear them often. Yet...
Reviewed in issue 1/1995
Korngold's First Quartet has all the rhapsodic lyricism of his operas (it was written not long after the most famous...
Reviewed by Michael Oliver in issue: 12/1989
Richard Strauss’s Alpine Symphony is not short of fine recordings in the current catalogue but (unless you insist on a...
Reviewed by Ivan March in issue: 3/2010
Whereas Perahia’s 1989 release of Schumann’s Piano Concerto (an excitingly vivid live recording with Sir Colin Davis) had Grieg’s as...
Reviewed in issue 1/1998
Apart from the Quartetto Italiano on Philips, which comes in a twin-pack with Op. 132, there is only one alternative...
Reviewed by Robert Layton in issue: 5/1985
The chief merit of this new recording is to place Dowland’s Lachrimae in a fresh context: rather than offering more...
Reviewed by Fabrice Fitch in issue: 4/1999
There’s much to be said for performing Bach’s concertos one to a part. What’s missed in contrast between solo and...
Reviewed by DuncanDruce in issue: 12/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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