Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Calixto Bieito’s staging of Mozart’s opera buffa caused something close to apoplexy among the more conservative daily newspapers when it...
Reviewed by Mike Ashman in issue: 10/2006
This second volume of orchestral works by Rimsky-Korsakov from Olympia (I reviewed the first in February) is probably most interesting...
Reviewed by John Warrack in issue: 9/1989
A guest appearance of Frans Bruggen with the Orchestra of the Age of Enlightenment has produced this new recording of...
Reviewed by Nicholas Anderson in issue: 9/1997
If Kuhn’s vocal pieces – the motet Der Mensch lebt und bestehet and the Missa brevis, with its ever-present, occasionally...
Reviewed by mquinn in issue: 8/1999
This third volume of Graupner’s keyboard works contains much that is charming, inventive, and even surprising on occasion. The opening...
Reviewed by Fabrice Fitch in issue: 12/2004
Having rattled off six symphonies by the time he was 40, the remaining 47 years of Atterberg’s life saw just...
Reviewed by Guy Rickards in issue: 13/2003
The two Maurices, Delage and Jaubert, were not at all alike, but their music contrasts and complements in this fascinating...
Reviewed by Patrick O'Connor in issue: 5/1997
Andante sostenuto says the score on the subject of the Prelude, and 'Not half' devoutly responds the listener sitting down...
Reviewed in issue 12/1990
The (one hopes) eventually comprehensive survey of Nikos Skalkottas on BIS has now arrived at a work central to his...
Reviewed by Richard Whitehouse in issue: 8/2003
Here is a demanding Liszt recital indeed, ranging through the B minor Sonata – his most Himalayan challenge – to...
Reviewed by Bryce Morrison in issue: 1/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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