Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It is ironic that Czechoslovakia's repressive post-war Communist regime should have endowed two special qualities on Talich's late recordings. Owing...
Reviewed in issue 2/1994
Unvarnished Bartok from source. Kossuth is probably the real selling-point here; it also happens to be the roughest and readiest...
Reviewed by Edward Seckerson in issue: 7/1993
A year after the premiere of his Requiem for a Young Poet in 1969, Bernd Alois Zimmermann took his own...
Reviewed by Philip_Clark in issue: 3/2009
To have five of the major orchestral works of Webern as the coupling for the last six Mozart symphonies may...
Reviewed by Edward Greenfield in issue: 10/1993
In recent years Field’s concertos have been in the hands of two dedicated compatriots selling at full price. Now along...
Reviewed by Joan Chissell in issue: 2/1998
A real tonic, this, and unexpectedly stimulating, too. We know how effective Grainger’s colourful orchestrations can be, but in her...
Reviewed by Andrew Achenbach in issue: 7/1999
Granados’s Escenas romanticas is a unique masterpiece, a veiled and ultra-Spanish tribute to the composer’s beloved Chopin (the subtitles, ‘Berceuse’,...
Reviewed by Bryce Morrison in issue: 11/2000
“It sometimes seems to me as if I did not belong to this world at all.” These alleged words of...
Reviewed by Richard Wigmore in issue: 8/1998
The Five Browns are talented, photogenic pianists who all studied at the Juilliard, seem to get along together and, judging...
Reviewed by Jeremy Nicholas in issue: 11/2006
The name Carl Schuricht is most commonly associated, at least in this country, with the music of Anton Bruckner. Various...
Reviewed in issue 7/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.