Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Hell’s Angels is the kind of work all nice sopranos, altos, tenors and basses will piously hope their choral society...
Reviewed by John Steane in issue: 3/2003
Think Alice Coltrane or John McLaughlin’s Mahavishnu Orchestra and you’ll get something of the flavour of this meeting between Britain’s...
Reviewed by bwitherden in issue: 4/2003
This is a second reissue, and quite right too: it should never be out of the catalogue for long. Both...
Reviewed in issue 4/1985
The durability of recent BPO “Europa” concerts (played annually on May 1) has been compromised by dodgy acoustics – a...
Reviewed by Peter Quantrill in issue: 12/2009
After shenanigans involving several supreme if problematic pianists (problematic in the sense that they chose to record only occasionally), DG...
Reviewed by Bryce Morrison in issue: 8/2009
This performance was extremely well received when it first appeared (it won a Gramophone Award)‚ and its merits are many...
Reviewed by kYlzrO1BaC7A in issue: 10/2001
This CD is emblazoned with an ecstatic quote from Elliott Carter after he heard Seivewright play his Sonata (1946) at...
Reviewed by Jeremy Dibble in issue: 6/2009
The songs of Destiny and of Triumph (Op 54 and 55) might be supposed to go naturally together and yet...
Reviewed by John Steane in issue: 6/2004
Balakirev’s extensive piano output has understandably been dominated by Islamey, one of the quintessential examples of romantic colour and virtuosity....
Reviewed by Tim Parry in issue: 8/1999
Two works of ripe Romantic élan here frame a relatively early and seldom-performed symphony by Saint-Saëns, all of them played...
Reviewed by Geoffrey Norris in issue: 12/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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