Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
One poet, but the fact that these 17 songs were set to music by 11 different composers might lead us...
Reviewed in issue 5/1985
Admirable as it is to have Alkan’s 48 Esquisses‚ together with his ‘Laus Deo’ postlude‚ available on disc‚ their musical...
Reviewed in issue 9/2002
For his single prior collaboration with director James Cameron (Aliens), James Horner received an Oscar nomination in 1986. Ten years...
Reviewed in issue 1/1998
One of the most successful aspects of Frankl and the Lindsays' performance of Dvorak's Quintet is their sensitivity to the...
Reviewed by John Warrack in issue: 6/1994
Listeners expecting a glittering evening at the piano with the composer will be disappointed by this record. No album of...
Reviewed in issue 3/1990
Shumsky could easily have been the grandfather of his two astonishing rivals in the Violin Concerto; incredibly their ages when...
Reviewed in issue 2/1986
The much-travelled Sir Neville Marriner here establishes a productive new partnership with the splendid Stuttgart Radio Symphony Orchestra. On the...
Reviewed by Ivan March in issue: 6/1986
There are plenty of performances of both these works where the first thing that strikes you is the orchestra’s or...
Reviewed by kYlzrO1BaC7A in issue: 9/2001
There are several good things to be said about this performance of Bach's B minor Mass, but they are sadly...
Reviewed by Nicholas Anderson in issue: 7/1985
The first 30 minutes of this CD – the last in the Bergen orchestra’s series of the composer’s orchestral music...
Reviewed by Mike Ashman in issue: 5/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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