Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here are two more titles to be added to the growing number of recordings of the music of Hildegard of...
Reviewed by mberry in issue: 13/1998
Virgin are generous indeed in offering Mozart's last three violin sonatas (if we except the Sonatina, K547) on a single...
Reviewed by Richard Wigmore in issue: 4/1991
Not surprisingly, there are quite a few records coupling these two most popular of Czech string quartets, recent ones among...
Reviewed by John Warrack in issue: 2/1996
This programme of Beethoven piano sonatas presents an excellent opportunity for Varjon to display his expressive range and fluent keyboard...
Reviewed in issue 3/1996
In these days of period-instrument hegemony in the performance of Bach, this ‘old-fashioned’ B minor Mass may be considered an...
Reviewed in issue 7/2001
Berg’s Op 1 (1908) and Hindemith’s Second Sonata (1936) might seem strange bedfellows, especially given Hindemith’s antipathy to atonality, but...
Reviewed by kYlzrO1BaC7A in issue: 11/2007
Thankfully, the generation of composers born c1500 need no longer be described as “lost”: with recordings like this appearing with...
Reviewed by Fabrice Fitch in issue: 9/2007
This completes Opera Rara’s invaluable issues of first versions of Verdi’s operas, broadcast on Radio 3 in the 1970s. In...
Reviewed by Alan Blyth in issue: 10/2006
Throughout his life Rodrigo remained focused on the history, culture and topography of his native country; every musical utterance has...
Reviewed by John Duarte in issue: 11/2002
The idea of Dame Myra Hess being accompanied by Toscanini suggests a fable Aesop never wrote about the butterfly which...
Reviewed by Richard Osborne in issue: 10/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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