Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Joyce DiDonato has made some terrific records over the past few years, including a delicious programme of Handel duets Virgin...
Reviewed by Andrew Farach-Colton in issue: 2/2006
It could be argued from this disc that (as some of us have long suspected) with his fatal facility, which...
Reviewed by Lionel Salter in issue: 2/1998
True to form, Naxos have come up trumps with an imaginative and useful coupling. How often, I wonder, must collectors...
Reviewed in issue 12/1998
Although I Puritani was performed during the Metropolitan Opera’s first season in 1883 (with Marcella Sembrich), it had not been...
Reviewed by po'connor in issue: 3/2008
Two previous recordings of Les Indes galantes, Rameau's first opera-ballet, did scant justice to this kaleidoscopically colourful work. Jean-Claude Malgoire...
Reviewed by Nicholas Anderson in issue: 2/1992
Anything conducted by Sandor Vegh can be guaranteed to have spontaneity, even a sense of living dangerously, and there is...
Reviewed by Arnold Whittall in issue: 12/1992
Sir Georg Solti last recorded this symphony with the VPO (Decca SET323/4, 10/66—nla). My memory is of a performance which,...
Reviewed by Arnold Whittall in issue: 4/1988
There are long symphonies and long symphonies. Bruckner and Mahler place you at the epicentre of their worlds, and wherever...
Reviewed by Rob Cowan in issue: 7/2009
This review is in the nature of a lament. It seems today that, whereas we have any number of accomplished...
Reviewed by Alan Blyth in issue: 6/1986
Judith Weir's music is not simplistic, nor does it ape any style from the past, and it is not in...
Reviewed by Michael Oliver in issue: 12/1995
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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