Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
In autumn 1713 Vivaldi took over management of opera at Venice’s Teatro S Angelo and put on a production of...
Reviewed by David Vickers in issue: 03/2013
Most of Telemann’s operas for Hamburg’s Gänsemarkt theatre are lost. One of the few exceptions is Flavius Bertaridus (1729), which...
Reviewed by David Vickers in issue: 03/2013
The vast discography of Giulio Cesare in Egitto (1724) is a proverbial mixed bag. The Bavarian State Opera’s 1994 production...
Reviewed by David Vickers in issue: 03/2013
This year is the tercentenary of Antoine Dauvergne (1713-97). From 1744 Rameau’s pupil rose through the ranks of the Académie...
Reviewed by David Vickers in issue: 03/2013
Cherubini’s masterpiece, performed in French and without the sprawling 1855 recitatives by Franz Lachner that have stymied modern performances for...
Reviewed by Mike Ashman in issue: 03/2013
This is getting confusing: the Glyndebourne Festival DVD of Billy Budd (9/11) is now followed by a CD of the...
Reviewed by Richard Fairman in issue: 03/2013
I Puritani was Bellini’s last opera, commissioned by the Théâtre Italien in Paris and performed with a star cast –...
Reviewed by Richard Lawrence in issue: 03/2013
Beware of hyperbole. Words such as ‘masterpiece’ are freely tossed about in the commentary surrounding the Metropolitan Opera debut of...
Reviewed by David Patrick Stearns in issue: 03/2013
‘Arias for Marietta Marcolini: Rossini’s first muse’, runs the rubric. In his delightful, romanticising Rossini biography, Stendhal even maintained that...
Reviewed by Richard Wigmore in issue: 01/2013
With Christopher Columbus (yes, him from 1492) joining Harnoncourt, William Christie and Savall on the dedicatees’ list, Petibon’s new release...
Reviewed by Mike Ashman in issue: 01/2013
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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