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ROSSINI La cambiale di matrimonio

Rossini’s first professional opera, written for Venice’s Teatro San Moisè when he was 18, is full of dash and pizzazz....

Reviewed by Richard Osborne in issue: 09/2011

PERGOLESI L'Olimpiade

Metastasio’s libretto L’Olimpiade is an amorous intrigue that takes place at the ancient Olympic Games. First set to music in...

Reviewed by David Vickers in issue: 09/2011

MOZART D'Arcangelo Arias

The sonorous bass-baritone of Ildebrando d’Arcangelo, with its oaken middle register and ringing top notes, is certainly an impressive instrument....

Reviewed by Richard Wigmore in issue: 09/2011

MARTINŮ Symphonies Nos 1-6

When considering Martinu’s symphonies, two points are worth bearing in mind: first, that all six date from Martinu’s maturity; and...

Reviewed by Rob Cowan in issue: 10/2011

Italia

Despite her Italian background, Nicola Benedetti, we’re told, “never expected to feel quite so at home” in the Italian Baroque...

Reviewed by DuncanDruce in issue: 10/2011

DEBUSSY La Mer. Nocturnes. Prélude à l'après-midi d'un faune

A protégé of Markevitch and Boulez, Geneva-born Michel Tabachnik steers a sleek and dynamic course through La mer, drawing playing...

Reviewed by Andrew Achenbach in issue: 10/2011

BARBER Historical Recordings 1935-60

A treasure-trove of historic Barber recordings. The earliest and one of the best known is his own performance of Dover...

Reviewed by Peter Dickinson in issue:

Destination Paris

This mixed group of works for string trio were all written when the composers were living in Paris during that...

Reviewed by Edward Greenfield in issue: 10/2011

ZEMLINSKY Cello Sonata. 2 Pieces for String quintet

The figure of Brahms loomed large over late-19th-century Austro-German composers, nowhere more so than in the field of chamber music....

Reviewed by Harriet Smith in issue: 10/2011

CERHA Bruchstück geträumt. Neun Bagatellen. Instants

Kairos’s previous Cerha release was anchored around the deep-listening fabric of his 1970s orchestral set Spiegel (A/10). It reminded us...

Reviewed by Philip_Clark in issue: 10/2011

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