Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
If Mozart is the ancestor of most of the duets here, as Paul Griffiths observes in his booklet-notes, the genetic...
Reviewed by Peter Quantrill in issue: 09/2011
With its sensual, pear-shaped physique and knack of making even the most banal melodic utterance sound room-warming, the cello is...
Reviewed by Philip_Clark in issue: 09/2011
George Enescu inscribed the second of these pieces to the memory of Fauré. By that time (1944) his language had...
Reviewed by Stephen Plaistow in issue: 09/2011
It’s not by chance that only one of the works on this disc has a place in the permanent repertoire....
Reviewed by David Fanning in issue: 09/2011
The second release from Adam Binks’s enterprising, wholly digital Resonus Classics label comprises this absorbing anthology devoted to nine chamber,...
Reviewed by Andrew Achenbach in issue: 09/2011
Surprise No 1: this is not, as you might initially assume, a period-instrument reading of Beethoven’s Rasumovskys. Surprise No 2:...
Reviewed by Harriet Smith in issue: 09/2011
This is far from being a conventional Irish song collection, such as John McCormack might have offered in recording’s early...
Reviewed by Edward Greenfield in issue: 09/2011
The wrench from the twilit opening movement of the Requiem to the foursquare sequences of the “Te decet hymnus”, from...
Reviewed by Peter Quantrill in issue: 09/2011
For reasons he explained in the March 2011 issue of Gramophone, Steve Reich has never been at ease with orchestras,...
Reviewed by Philip_Clark in issue: 09/2011
Although Nathalie Stutzmann has made distinguished contributions to Naïve’s Vivaldi opera project and lent a memorable Nisi Dominus to Robert...
Reviewed by Lindsay Kemp in issue: 09/2011
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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