Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The Stabat mater – a 13th-century poem that describes in 20 verses the imagined sufferings of the Virgin Mary at...
Reviewed by Malcolm Riley in issue: 07/2013
This is a recording which ticks so many worthwhile boxes that it’s difficult to know where to begin. It’s a...
Reviewed by David Threasher in issue: 09/2013
Stile Antico’s ‘The Phoenix Rising’ is both a celebration and a cautionary tale. It’s a celebration of the breadth and...
Reviewed in issue 09/2013
The lost city is Jerusalem, and it is the Lamentations of Jeremiah that provides the text of the nine pieces...
Reviewed by Richard Lawrence in issue: 09/2013
The playing of the Berlin Philharmonic on both the 1973 and 1983 sets is as glorious as ever; its virtuosity...
Reviewed in issue 1/1996
No, not Angela Gheorghiu. This is her Romanian compatriot Teodora, who launched her musical career as a flautist, became a...
Reviewed by Geoffrey–Norris in issue: 09/2013
It makes an ideal coupling linking Stanford’s breezy settings of Henry Newbolt in Songs of the Sea and Songs of...
Reviewed by Edward Greenfield in issue: 09/2013
Without reading the booklet-notes by composer Maria Schneider and soprano Dawn Upshaw, you know that life beyond tragedy is celebrated...
Reviewed by David Patrick Stearns in issue: 09/2013
Specially composed for Mark Padmore and Morgan Szymanski, Alec Roth’s song-cycle My Lute and I harnesses language and music in...
Reviewed by Geoffrey–Norris in issue: 09/2013
Cipriano de Rore is best known today as one of the finest exponents of the madrigal but his sacred output...
Reviewed by Fabrice Fitch in issue: 09/2013
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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