Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Judith Bingham’s isn’t a comfortable sound world. If there is redemptive hope to be found in her choral music, it...
Reviewed by Alexandra Coghlan in issue: AW2013
In his selective series of cantatas (one for each Sunday and High Feast), Sigiswald Kuijken visits the lively world of...
Reviewed by Jonathan Freeman-Attwood in issue: AW2013
Peter Rosen’s 1985 film, scripted by Harvey Sachs, very much presents Toscasisi rather than Toscanono, as you might expect from...
Reviewed by Peter Quantrill in issue: AW2013
For years I avoided opening-night galas, thinking I was allergic to champagne. Turns out, though, it was the programming that...
Reviewed by Ken Smith in issue: AW2013
There have been CDs of ‘Danish’ Baroque orchestral repertoire before, notably from Concerto Copenhagen, but there’s certainly room for more....
Reviewed by Lindsay Kemp in issue: AW2013
Scandinavian string-playing continues to gleam with virtuosity in this Norwegian round-up of what are effectively highlights of such repertoire in...
Reviewed by Mike Ashman in issue: AW2013
Marcel Tyberg was a victim of the Holocaust but his scores were saved and have recently been championed by the...
Reviewed by Ivan March in issue: AW2013
Dance rhythms run through all these three scores, even the attractive Dumbarton Oaks concerto for which Stravinsky drew an analogy...
Reviewed by John Warrack in issue: AW2013
Of four new Francophone Rites – taking into account (8/13) the recordings conducted by Paavo Järvi and Philippe Jordan –...
Reviewed by Peter Quantrill in issue: AW2013
You’d think that, in theory at least, Richard Strauss tone-poems that are conducted with what seems like a minimum of...
Reviewed by Rob Cowan in issue: AW2013
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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