Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
With its sensual, pear-shaped physique and knack of making even the most banal melodic utterance sound room-warming, the cello is...
Reviewed by Philip_Clark in issue: 09/2011
George Enescu inscribed the second of these pieces to the memory of Fauré. By that time (1944) his language had...
Reviewed by Stephen Plaistow in issue: 09/2011
It’s not by chance that only one of the works on this disc has a place in the permanent repertoire....
Reviewed by David Fanning in issue: 09/2011
The second release from Adam Binks’s enterprising, wholly digital Resonus Classics label comprises this absorbing anthology devoted to nine chamber,...
Reviewed by Andrew Achenbach in issue: 09/2011
Surprise No 1: this is not, as you might initially assume, a period-instrument reading of Beethoven’s Rasumovskys. Surprise No 2:...
Reviewed by Harriet Smith in issue: 09/2011
This is far from being a conventional Irish song collection, such as John McCormack might have offered in recording’s early...
Reviewed by Edward Greenfield in issue: 09/2011
The wrench from the twilit opening movement of the Requiem to the foursquare sequences of the “Te decet hymnus”, from...
Reviewed by Peter Quantrill in issue: 09/2011
For reasons he explained in the March 2011 issue of Gramophone, Steve Reich has never been at ease with orchestras,...
Reviewed by Philip_Clark in issue: 09/2011
Although Nathalie Stutzmann has made distinguished contributions to Naïve’s Vivaldi opera project and lent a memorable Nisi Dominus to Robert...
Reviewed by Lindsay Kemp in issue: 09/2011
Rossini’s first professional opera, written for Venice’s Teatro San Moisè when he was 18, is full of dash and pizzazz....
Reviewed by Richard Osborne in issue: 09/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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