Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Wading through the assemblage of quotations and oblique references which constitute the booklet-notes for this latest release in Joseph Nolan’s...
Reviewed by Marc Rochester in issue: 01/2014
Here we have the seventh commercially released recording of Ronald Stevenson’s 1962 Passacaglia on DSCH, based on the four-note D-E...
Reviewed by Jed Distler in issue: 01/2014
With this programme, where concentrated lyricism is sandwiched between two storming masterpieces, Konstanze Eickhorst makes her bid as an inclusive...
Reviewed by Bryce Morrison in issue: 01/2014
Compared to the full-bodied sound of Lisitsa’s Liszt recital (reviewed above), Garrick Ohlsson’s is ‘cabined, cribbed, confined’ – not unappealing...
Reviewed by Jeremy Nicholas in issue: 01/2014
One could hardly guess from the demure pose struck by Decca’s photogenic soloist for her CD’s booklet that she can...
Reviewed by Jeremy Nicholas in issue: 01/2014
Given that Franck pioneered the concept of the orchestral organ, and with his Grand Pièce symphonique of 1863 effectively created...
Reviewed by Marc Rochester in issue: 01/2014
Jean-Philippe Collard was a familiar presence in these pages in the 1970s and ’80s, less so in the succeeding years....
Reviewed by Jeremy Nicholas in issue: 01/2014
Exquisite in taste is the slow movement of Op 22, a beautifully paced Adagio, in the hands of Angela Hewitt....
Reviewed by Nalen Anthoni in issue: 01/2014
Nonclassical continues to go where other alternative labels fear to tread with this release by House of Bedlam – the...
Reviewed by Richard Whitehouse in issue: 01/2014
This is a most delightful recital of early-18th-century French Baroque chamber music. The works have been carefully chosen and comprise...
Reviewed by Julie Anne Sadie in issue: 01/2014
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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