Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Phaéton – normally styled Phaëton – was first performed at the new palace of Versailles in January 1683, transferring to...
Reviewed by Richard Lawrence in issue: 01/2014
Phaéton – normally styled Phaëton – was first performed at the new palace of Versailles in January 1683, transferring to...
Reviewed by Richard Lawrence in issue: 01/2014
The sheer orchestral seductiveness – or (according to taste) wearying-ness – of Korngold’s opera must be hard to match on...
Reviewed by Mike Ashman in issue: 01/2014
When Maria Callas sang Medea for the first time at Florence in 1953 (and continued with the role until the...
Reviewed by Mike Ashman in issue: 01/2014
It’s Covent Garden, more than any other company in the world, that deserves the credit for restoring – or, rather,...
Reviewed by Richard Lawrence in issue: 01/2014
Benjamin Hochman’s Avie solo debut frames two fascinating and relatively unfamiliar contemporary Schubert tributes between two frequently recorded Schubert sonatas....
Reviewed by Jed Distler in issue: 01/2014
Peter Dickinson must love his clavichord and its ability to bend pitches, because the music he writes and arranges for...
Reviewed by Jed Distler in issue: 01/2014
Note to self: early contender for Gramophone instrumental record of the year. Why? The recorded piano sound is a real...
Reviewed by Jeremy Nicholas in issue: 01/2014
Alexander Tharaud’s ‘Autographs’ are a series of musical signatures very much ‘as you like it’; a programme to suit all...
Reviewed by Bryce Morrison in issue: 01/2014
It’s Mikhail Pletnev. So there is another view – wrought from an intensely personal response to phrasing and structure; and...
Reviewed by Nalen Anthoni in issue: 01/2014
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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