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Review of LULLY Phaëton

LULLY Phaëton

Phaéton – normally styled Phaëton – was first performed at the new palace of Versailles in January 1683, transferring to...

Reviewed by Richard Lawrence in issue: 01/2014

Review of LULLY Phaëton

LULLY Phaëton

Phaéton – normally styled Phaëton – was first performed at the new palace of Versailles in January 1683, transferring to...

Reviewed by Richard Lawrence in issue: 01/2014

Review of KORNGOLD Die Tote Stadt

KORNGOLD Die Tote Stadt

The sheer orchestral seductiveness – or (according to taste) wearying-ness – of Korngold’s opera must be hard to match on...

Reviewed by Mike Ashman in issue: 01/2014

Review of CHERUBINI Medea

CHERUBINI Medea

When Maria Callas sang Medea for the first time at Florence in 1953 (and continued with the role until the...

Reviewed by Mike Ashman in issue: 01/2014

Review of BERLIOZ Les Troyens

BERLIOZ Les Troyens

It’s Covent Garden, more than any other company in the world, that deserves the credit for restoring – or, rather,...

Reviewed by Richard Lawrence in issue: 01/2014

Gramophone Classical Music Awards Winner
Review of SCHUBERT Piano Sonatas Nos 13 & 17

SCHUBERT Piano Sonatas Nos 13 & 17

Benjamin Hochman’s Avie solo debut frames two fascinating and relatively unfamiliar contemporary Schubert tributes between two frequently recorded Schubert sonatas....

Reviewed by Jed Distler in issue: 01/2014

Review of Blue Clavichord: 20th Century Music for Clavichord, Harpsichord and Recorder

Blue Clavichord: 20th Century Music for Clavichord, Harpsichord and Recorder

Peter Dickinson must love his clavichord and its ability to bend pitches, because the music he writes and arranges for...

Reviewed by Jed Distler in issue: 01/2014

Review of JS BACH Transcriptions

JS BACH Transcriptions

Note to self: early contender for Gramophone instrumental record of the year. Why? The recorded piano sound is a real...

Reviewed by Jeremy Nicholas in issue: 01/2014

Review of Alexandre Tharaud: Autograph

Alexandre Tharaud: Autograph

Alexander Tharaud’s ‘Autographs’ are a series of musical signatures very much ‘as you like it’; a programme to suit all...

Reviewed by Bryce Morrison in issue: 01/2014

Review of Pletnev in Person

Pletnev in Person

It’s Mikhail Pletnev. So there is another view – wrought from an intensely personal response to phrasing and structure; and...

Reviewed by Nalen Anthoni in issue: 01/2014


 

Hi-Fi, Books, Reissues & Archive Reviews

Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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