Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The Habsburg Emperor Joseph II died on February 20, 1790. Amusingly but unfairly caricatured by Peter Shaffer in his play...
Reviewed by Richard Lawrence in issue: 02/2014
Mein Herze schwimmt im Blut draws on the parable of the Pharisee and the publican but ignores the smugness of...
Reviewed by Richard Lawrence in issue: 02/2014
Followers of this, the only remaining in-progress cantata series, will recall Sigiswald Kuijken’s strategy of selecting a single cantata for...
Reviewed by Jonathan Freeman-Attwood in issue: 02/2014
Chosen as the climax of last year’s The Rest is Noise festival of 20th-century music on London’s South Bank, John...
Reviewed by Mike Ashman in issue: 02/2014
This is an anthology with a difference. It consists of soprano arias, a duet and a trio, and a few...
Reviewed by Richard Lawrence in issue: 02/2014
The American countertenor Bejun Mehta’s thoughtfully chosen programme takes as its theme the new aesthetic of the 1750s and ’60s...
Reviewed by Richard Wigmore in issue: 02/2014
This kind of internal crossover of repertoire started with conductors – I’m a Baroque specialist but, hey, why don’t I...
Reviewed by Mike Ashman in issue: 02/2014
What is sung and played is Wagner’s Parsifal. What is staged is something else, based on the view (as the...
Reviewed by Arnold Whittall in issue: 02/2014
This Die Frau differs from some earlier opera recordings from the Mariinsky label in not calling upon the services of...
Reviewed in issue 02/2014
An operatic Moby-Dick seems impossible. Scenic demands aside, how could Herman Melville’s anecdotal narrative about ships and whales have operatic...
Reviewed by David Patrick Stearns in issue: 02/2014
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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