Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
This is the...
Reviewed by David Fallows in issue: 02/2014
This Italian tenor has chosen a personal selection of sacred songs for his new album, many of which he learnt...
Reviewed by Adrian Edwards in issue: 02/2014
As the Verdi bicentenary celebrations gently subside, this new Erato release offers the listener the best from a pair of...
Reviewed by Malcolm Riley in issue: 02/2014
Wolfgang Holzmair made his Wigmore Hall debut in 1989. He has recently retired from the recital platform, and this disc...
Reviewed by Geoffrey Norris in issue: 02/2014
Malcolm Martineau has been a constant in this Signum series of Poulenc songs and in this fourth volume his piano-playing...
Reviewed by Geoffrey Norris in issue: 02/2014
Schnittke’s Concerto for Choir was written in 1985, the year Mikhail Gorbachev took office and two new words transferred into...
Reviewed by Philip Clark in issue: 02/2014
Rolando Villazón may not be everyone’s idea of a Mozartian stylist. Yet as his survey of this neglected area of...
Reviewed by Richard Wigmore in issue: 02/2014
Given the impact of the first complete recording of Gesualdo’s Responsories by the Hilliard Ensemble for ECM over 20 years...
Reviewed by Fabrice Fitch in issue: 02/2014
Considering that Duruflé’s choral and organ works span 40 years from the 1920s through to the 1960s, it’s remarkable how...
Reviewed by Christopher Nickol in issue: 02/2014
John Eliot Gardiner’s earlier recording of the Missa solemnis was a landmark event. Reviewing the disc in these columns, John...
Reviewed by Richard Osborne in issue: 02/2014
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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