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Review of Bridges: Works for Violin and Piano by Greek composers

Bridges: Works for Violin and Piano by Greek composers

Greek classical music often means Skalkottas or Theodorakis, but as the four composers represented in this enjoyable programme of violin-and-piano...

Reviewed by Guy Rickards in issue: 10/2023

Review of REBAY Complete Music for Violin and Guitar

REBAY Complete Music for Violin and Guitar

What a fascinating composer Ferdinand Rebay (1880-1953) is. A student of Robert Fuchs at the Vienna Conservatory, he completed his...

Reviewed by William Yeoman in issue: 10/2023

Review of PROKOFIEV; SHOSTAKOVICH Violin Duos

PROKOFIEV; SHOSTAKOVICH Violin Duos

Prokofiev’s Sonata for two violins is one of his hardest nuts to crack. Written to commission in 1932, it is...

Reviewed by David Fanning in issue: 10/2023

Review of MOZART Piano Quartets (Dego, Ridout, van der Heijden, Colli)

MOZART Piano Quartets (Dego, Ridout, van der Heijden, Colli)

I found this coupling both fascinating and exasperating. Federico Colli is a pianist on a mission, and that mission is...

Reviewed by Rob Cowan in issue: 10/2023

Review of E MAYER String Quartets Vol 1

E MAYER String Quartets Vol 1

The north German composer Emilie Mayer seems to have turned to chamber music in Berlin in the mid-1850s, largely –...

Reviewed by Richard Bratby in issue: 10/2023

Review of FELDMAN Violin and String Quartet

FELDMAN Violin and String Quartet

Morton Feldman’s late style is an enigma wrapped in a paradox. For a start, economies of scale don’t measure up....

Reviewed by Pwyll ap Siôn in issue: 10/2023

Review of BRAHMS Cello Sonatas (Yu Kosuge)

BRAHMS Cello Sonatas (Yu Kosuge)

We’re so accustomed these days to talking about Brahms’s two ‘cello sonatas’ that it’s rarely if ever mentioned that Brahms...

Reviewed by Charlotte Gardner in issue: 10/2023

Review of CPE BACH Violin Sonatas (Rachel Podger)

CPE BACH Violin Sonatas (Rachel Podger)

CPE Bach’s life spanned three-quarters of the 18th century – that period from the dying days of the Baroque, its...

Reviewed by David Threasher in issue: 10/2023

Review of Songs for our Times

Songs for our Times

With all the talk in recent years about increasing the representation of Black and Latin artists in classical music, it...

Reviewed by Andrew Farach-Colton in issue: 10/2023

Review of Overtures From Finland

Overtures From Finland

The connection between nine of the 10 works here is to show that Sibelius did not emerge from or operate...

Reviewed by Guy Rickards in issue: 10/2023


 

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