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Review of ADDISON; JACOB; RUBBRA British Piano Concertos Vol 2

ADDISON; JACOB; RUBBRA British Piano Concertos Vol 2

It is Gordon Jacob’s use of the orchestra in his Piano Concerto No 2 that rouses the admiration more than...

Reviewed by Jeremy Nicholas in issue: 10/2023

Review of STILLPOINT

STILLPOINT

Inspired by the Emerging Artist Competition at DePauw University’s 21CMposium in 2016, Awadagin Pratt, Mark Rabideau and Judd Greenstein developed...

Reviewed by Laurence Vittes in issue: 10/2023

Review of From Method to Madness: The American Sound

From Method to Madness: The American Sound

This survey of American music for cello and piano includes a pair of standard works (the Barber and Foss) and...

Reviewed by Stephen Cera in issue: 10/2023

Review of Ashley Jackson: Ennanga

Ashley Jackson: Ennanga

Ashley Jackson’s new album may be relatively short but it is long on feeling and artistic connections. She pays tribute...

Reviewed by Donald Rosenberg in issue: 10/2023

Review of All Roads

All Roads

The Shea-Kim husband-and-wife duo offer impressive performances of four works that require an equal musical partnership. The duo have won...

Reviewed by Stephen Cera in issue: 10/2023

Review of HIGDON Duo Duel. Concerto for Orchestra

HIGDON Duo Duel. Concerto for Orchestra

Concertos are a popular format among contemporary orchestral composers: they not only tick multiple boxes in the commissioning process but...

Reviewed by Thomas May in issue: 10/2023

Review of PARRY Prometheus Unbound

PARRY Prometheus Unbound

Chandos already has a Parry catalogue to reckon with, including several of the secular choral works directed by Matthias Bamert....

Reviewed by Peter Quantrill in issue: 10/2023

Review of Infinite Voyage

Infinite Voyage

The Emerson Quartet’s farewell to recording on their retirement after a distinguished 40-year career is strikingly different from their Beethoven-Schubert...

Reviewed by Arnold Whittall in issue: 10/2023

Review of JANÁCEK Katya Kabanova (Hrůša)

JANÁCEK Katya Kabanova (Hrůša)

Conducted by Jakub Hrůša, Barrie Kosky’s modern-dress staging of Katya Kabanova caused a considerable stir in Salzburg last year. An...

Reviewed by Tim Ashley in issue: 10/2023

Gramophone Classical Music Awards Winner
Review of You Did Not Want For Joy

You Did Not Want For Joy

This is a delight of a disc. Short and slight – pared back to the essentials of both texture and...

Reviewed by Alexandra Coghlan in issue: 10/2023


 

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