Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Were you hearing these three works for the first time you might be well satisfied, but they offer no competition...
Reviewed by Jeremy Nicholas in issue: 06/2015
Eugen Suchoň’s early Balladic Suite (1935) here receives its third recording that I can trace, curiously as it is the...
Reviewed by Guy Rickards in issue: 06/2015
To launch his inaugural concert as the Boston Symphony Orchestra’s Music Director, Andris Nelsons chose the Overture to Wagner’s Tannhäuser,...
Reviewed by Andrew Achenbach in issue: 06/2015
After the sensibly national programming of her first disc for Universal’s Madrid-based arm, a collection entitled ‘Spanish Landscapes’, Leticia Moreno...
Reviewed by David Gutman in issue: 06/2015
Alexander Raskatov is probably best known for his opera based on Bulgakov’s Gogol-like tale The Heart of a Dog, which...
Reviewed by John Warrack in issue: 06/2015
Andrew Litton began his Prokofiev symphony cycle with a successful reading of the profound yet problematic Sixth (6/13). The Fifth...
Reviewed by David Gutman in issue: 06/2015
Prokofiev, who never liked playing second fiddle to anyone, must have been piqued by Shostakovich’s Soviet celebrity. But could the...
Reviewed by David Gutman in issue: 06/2015
‘Who was Johann Gottfried Müthel?’ asks the booklet-note, with good reason. For some his name might strike a faint bell...
Reviewed by Richard Wigmore in issue: 06/2015
A pianist of prodigious technique, a musician of unpredictable temperament: such is the dichotomy of Ronald Brautigam. And it isn’t...
Reviewed by Nalen Anthoni in issue: 06/2015
Mendelssohn’s early one-act comic opera Die Heimkehr aus der Fremde (usually translated as ‘Son and Stranger’) had, I thought, entirely...
Reviewed by Jeremy Nicholas in issue: 06/2015
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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