Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The St Matthew Passion was probably first performed in 1727 but the music we usually hear is from Bach’s revised...
Reviewed by David Vickers in issue: 06/2015
Picander’s libretto for the St Mark Passion was published in his edition of collected poetry (1732). Bach’s lost setting was...
Reviewed by David Vickers in issue: 06/2015
Behind this project’s eye-catching title lies a neat concept, and a more nuanced reality. The lives of Bach, Telemann, and...
Reviewed by Fabrice Fitch in issue: 06/2015
These four concertos are linked by the fact that they were all composed in Paris immediately before or after the...
Reviewed by Jeremy Nicholas in issue: 06/2015
Erkki Salmenhaara (1941-2002) was at one time an avant-garde firebrand, his first three symphonies (1962 64) and some other works...
Reviewed by Guy Rickards in issue: 06/2015
The Orchestra Mozart, Claudio Abbado’s last great musical project, ran into financial trouble even before the maestro’s death. Hence this...
Reviewed by David Gutman in issue: 06/2015
The words ‘new music with guitar’ can strike fear into the heart of even the most intrepid musical explorer. Thankfully...
Reviewed by William Yeoman in issue: 06/2015
It was my good fortune that the junior school I attended made a speciality of performing English folk dances, which...
Reviewed by Edward Greenfield in issue: 06/2015
On this disc Romain Leleu and the Orchestre d’Auvergne present trumpet concertos from the second half of the 20th century...
Reviewed by Ivan March in issue:
Ondine’s analytically transparent recording and John Storgårds’s measured approach bring the opulent textures of Die Seejungfrau closer to the Expressionist...
Reviewed by Peter Quantrill in issue: 06/2015
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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