Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Given that the voice dominates Dallapiccola’s output, it always seems surprising that he wrote so few songs. A handful of...
Reviewed by Tim Ashley in issue: 09/2015
In 1616 the 14-year-old Cavalli joined Monteverdi’s choir at St Mark’s in Venice, and eventually in 1668 he became its...
Reviewed by David Vickers in issue: 09/2015
Harrison Birtwistle uses the term ‘song’ repeatedly in the three-minute extract from an interview included on the disc – but...
Reviewed by Arnold Whittall in issue: 09/2015
In the 18th century the Bendas were to Bohemia what the Bachs were to Thuringia. Most famous of the musical...
Reviewed by Richard Wigmore in issue: 09/2015
Masaaki Suzuki may have completed his distinguished 20-year traversal of the sacred cantatas but there are, thankfully, some additional vocal...
Reviewed by Jonathan Freeman-Attwood in issue: 09/2015
Perhaps the most remarkable thing about this disc is the sound quality. It is a concert recorded in a kind...
Reviewed by Jeremy Nicholas in issue: 09/2015
How do you listen to an album? I ask because it will have a significant impact on your enjoyment of...
Reviewed by Alexandra Coghlan in issue: 09/2015
Perhaps one way to guarantee a hit-rate of better, more informed television music documentaries would be to hand composers a...
Reviewed by Philip Clark in issue: 09/2015
They are precise and very accomplished. We cannot ask for better technique from Les Buffardins. But a group of only...
Reviewed by Nalen Anthoni in issue: 09/2015
Rolf Wallin’s trumpet concerto echoes the myth of the wounded Fisher King whose country degenerates into a wasteland. The ‘openness’...
Reviewed by Andrew Mellor in issue: 09/2015
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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