Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The opening bars tell you this is going to be a good ‘Pag Rhap’. As things turn out, it is...
Reviewed by Jeremy Nicholas in issue: 09/2015
The young Chinese-born, Swedish-trained tenor Yinjia Gong finished his formal studies just three years ago. For him to be able...
Reviewed by Hugo Shirley in issue: 09/2015
First performed in Munich in 1903, Die neugierigen Frauen – Le donne curiose to give it its original title –...
Reviewed by Tim Ashley in issue: 09/2015
Bayreuth’s 2011 Tannhäuser project – here offered in a live relay from the festival last summer – got off to...
Reviewed by Mike Ashman in issue: 09/2015
Obtainable from the usual online sources, this live recording of the cycle from Wagner-year performances in Mannheim in 2013 is...
Reviewed by Mike Ashman in issue: 09/2015
So here it is, the Rosenkavalier that launched a thousand blog posts. Or not quite, since this DVD was filmed...
Reviewed by Hugo Shirley in issue: 09/2015
Composed in 1823, when Vienna was in the grip of a Rossini craze, Schubert’s last completed opera remained unperformed in...
Reviewed by Richard Wigmore in issue: 09/2015
This live recording of Ravel’s second opera, recorded two years ago, has been issued to mark the 80th birthday of...
Reviewed by Richard Lawrence in issue: 09/2015
There have only been two previous references in these pages to the Finnish composer and teacher Veli-Matti Puumala, 50 this...
Reviewed by Mike Ashman in issue: 09/2015
The 18-year-old Mozart’s floral romp has been fair game for modern makeovers, most entertainingly in Doris Dörrie’s wacky 2006 Salzburg...
Reviewed by Richard Wigmore in issue: 09/2015
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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