Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
At no point do the repertoires of these two discs overlap, but, as if tiptoeing around one another, both of...
Reviewed by Geoffrey Norris in issue: 01/2016
Hard on the heels of Igor Levit’s blistering new account of Rzewski’s variations comes a new recording by its dedicatee...
Reviewed by David Fanning in issue: 01/2016
Hoist with my own petard, I think. Reviewing Igor Levit’s Bach/Beethoven/Rzewski Variations (11/15), I rashly concluded that I would be...
Reviewed by David Fanning in issue: 01/2016
Kristian Bezuidenhout may not have chosen to shock but could well do so in the first movement of the ‘little...
Reviewed by Nalen Anthoni in issue: 01/2016
As Howard Shelley reaches the fourth instalment of his solo Mendelssohn journey, familiar and unfamiliar once again rub shoulders. He...
Reviewed by Harriet Smith in issue: 01/2016
At least until Liszt’s bicentenary, complete recordings of his Harmonies poétiques et religieuses were something of a rarity. Even stalwart...
Reviewed by Patrick Rucker in issue: 01/2016
Scherbakov began the unprecedented task of recording Godowsky’s complete works nearly two decades ago. The end is in sight –...
Reviewed by Jeremy Nicholas in issue: 01/2016
The piano works of Robert Nathaniel Dett (1882-1943) span his entire creative life, from early ragtime influences to the complexity...
Reviewed by Jed Distler in issue: 01/2016
This year the pianist Nelson Goerner has been more active than usual on behalf of Chopin. In October he served...
Reviewed by Patrick Rucker in issue: 01/2016
Percussionist Matthias Kaul comes at Cage from a background in rock and jazz drumming, and it shows in his sense...
Reviewed by Kate Molleson in issue: 01/2016
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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