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SIBELIUS Symphonies Nos 3, 6 & 7

As Osmo Vänskä powers into the home straight of his Minnesota Sibelius cycle, the first thing that strikes one about...

Reviewed by Edward Seckerson in issue: 09/2016

BRAHMS Violin Sonatas Nos 1-3

Christian Tetzlaff and Lars Vogt first recorded the three Brahms violin sonatas for EMI at the 2002 ‘Spannungen’ chamber music...

Reviewed by Andrew Farach-Colton in issue: 09/2016

BRAHMS Vier ernste Gesänge. 9 Lieder und Gesänge

A couple of years after completing his leisurely mix-and-match Schubert series for Harmonia Mundi, Matthias Goerne has made it on...

Reviewed by Hugo Shirley in issue: 09/2016

BLOW Symphony Anthems

This is the first album devoted exclusively to John Blow’s church music since the Parley of Instruments and the Choir...

Reviewed by David Vickers in issue: 09/2016

LISZT Etudes d’exécution transcendante

Kirill Gerstein’s last appearance in these pages was for his premiere recording of Tchaikovsky’s B flat minor Concerto using what...

Reviewed by Jeremy Nicholas in issue: 09/2016

Granada 1013-1526

The indefatigable Jordi Savall continues to unite musicians from East and West as he traverses five centuries of musical traditions...

Reviewed by Edward Breen in issue: 09/2016

PURCELL Come all ye Songsters

Cast your eye down the list of artists on Wigmore Live’s latest release and it tells you pretty much all...

Reviewed by Alexandra Coghlan in issue: 09/2016

Carolus IV: Rex et Imperator

The Holy Roman Emperor Charles IV (reigned 1356-78) was one of the most cultured rulers of his time, his mark...

Reviewed by Fabrice Fitch in issue: 09/2016

Bach and the Stile Antico

It seems obvious to point out Bach was a profoundly gifted contrapuntist, but this programme by St Salvator’s Chapel Choir...

Reviewed by David Vickers in issue: 09/2016

SCHUBERT Winterreise

Spontaneous scribblings made in the course of Gramophone listening are usually best kept to oneself. Yet, glib as it might...

Reviewed by Richard Wigmore in issue: 09/2016

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