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Review of MONTEVERDI Il pianto della Madonna

MONTEVERDI Il pianto della Madonna

Most of Arianna’s Lament from Monteverdi’s lost opera Arianna (1608) survives in his Sixth Book of Madrigals (1614) as a...

Reviewed by David Fallows in issue: 06/2016

Review of MONTEVERDI Messa a Quattro voci et salmi of 1650

MONTEVERDI Messa a Quattro voci et salmi of 1650

Posthumous prints of music by the recently deceased often consist of offcuts and dredgings-up from the bottom of the drawer,...

Reviewed by Fabrice Fitch in issue: 06/2016

Review of MENDELSSOHN Elias

MENDELSSOHN Elias

This is the third period-instrument Elijah (or Elias, as it must be here) on the market. No less than the...

Reviewed by Peter Quantrill in issue: 06/2016

Review of MACHAUT Messe de Nostre Dame

MACHAUT Messe de Nostre Dame

A new recording of Machaut’s Mass is always an event, and this one is compelling and provocative in equal measure:...

Reviewed by Fabrice Fitch in issue: 06/2016

Review of GODARD Mélodies

GODARD Mélodies

Tassis Christoyannis and Jeff Cohen’s Benjamin Godard album forms a sequel to their surveys of Félicien David and Edouard Lalo...

Reviewed by Tim Ashley in issue: 06/2016

Review of DELLA CIAIA Lamentations

DELLA CIAIA Lamentations

Even diligent Italian Baroque specialists won’t know much about Alessandro Della Ciaia (c1605-c1670), an aristocrat in mid-17th-century Siena reputed to...

Reviewed by David Vickers in issue: 06/2016

Review of JS BACH St Matthew Passion

JS BACH St Matthew Passion

Frieder Bernius is a Bachian whose work with his choir and period orchestra in Stuttgart has quietly made its mark...

Reviewed by Jonathan Freeman-Attwood in issue: 06/2016

Review of JS BACH St John Passion

JS BACH St John Passion

René Jacobs’s rethinking of the spatial relationships between choirs, players and soloists in his recording of the St Matthew Passion...

Reviewed by Lindsay Kemp in issue: 06/2016

Review of Bengt Forsberg: Neglected Works for Piano

Bengt Forsberg: Neglected Works for Piano

‘Neglected Works for Piano’ is all that the front of Bengt Forsberg’s new CD reveals. The fact that they’re all...

Reviewed by Harriet Smith in issue: 06/2016

Review of Lucas Debargue plays Scarlatti, Chopin, Liszt & Ravel

Lucas Debargue plays Scarlatti, Chopin, Liszt & Ravel

Few would argue that the international competition circuit has significantly raised the level of piano-playing worldwide. Yet the high stakes...

Reviewed by Patrick Rucker in issue: 06/2016


 

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