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Review of BLACKFORD Better Angels

BLACKFORD Better Angels

Having made his reputation in film and television, Richard Blackford (b1954) later enjoyed success with several major choral works. Instrumental...

Reviewed by Richard Whitehouse in issue: 06/2017

Review of BEETHOVEN Symphony No 3 SHOSTAKOVICH Symphony No 10

BEETHOVEN Symphony No 3 SHOSTAKOVICH Symphony No 10

A highly original concept, the subtext: music and dictatorship. As Michael Sanderling himself implies in a persuasive preface to the...

Reviewed by Rob Cowan in issue: 06/2017

Review of BEETHOVEN Symphony No 3. Fidelio Overture

BEETHOVEN Symphony No 3. Fidelio Overture

Discreetly attentive to detail yet exalted in expression, a Festival Hall Pastoral from this team last January raised expectations that...

Reviewed by Peter Quantrill in issue: 06/2017

Review of BEETHOVEN Piano Concertos Nos 1 & 5

BEETHOVEN Piano Concertos Nos 1 & 5

When Lars Vogt’s recordings of Beethoven’s First and Second Piano Concertos with Simon Rattle and the CBSO were released in...

Reviewed by Richard Osborne in issue: 06/2017

Review of Concerti III

Concerti III

For the third instalment in their ‘Concerti’ series, the GrauSchumacher Piano Duo bring together three works, the first two written...

Reviewed by Richard Whitehouse in issue: 06/2017

Review of Maximum Reger

Maximum Reger

Many years ago my friend and Gramophone colleague Andrew Achenbach suggested a ploy for tracking me down should I ever...

Reviewed by Rob Cowan in issue: 06/2017

Review of SZYMANOWSKI Stabat Mater. Symphony No 3

SZYMANOWSKI Stabat Mater. Symphony No 3

This is an outstanding recording, by an all-Polish team, of three of Szymanowski’s most sumptuously beautiful works. The two completed...

Reviewed by Ivan Moody in issue: 06/2017

Review of SKEMPTON The Rime of the Ancient Mariner. Only the Sound Remains

SKEMPTON The Rime of the Ancient Mariner. Only the Sound Remains

Time was when Howard Skempton was considered primarily as a master of the miniature, notably those for piano and accordion....

Reviewed by Richard Whitehouse in issue: 06/2017

Review of LISZT/TAUSIG Eine Faust-Symphonie

LISZT/TAUSIG Eine Faust-Symphonie

The hotbed of creativity that surrounded Liszt in Weimar between 1848 and 1861 is difficult to imagine today. Embarking on...

Reviewed by Patrick Rucker in issue: 06/2017

Review of RAVEL Daphnis et Chloé

RAVEL Daphnis et Chloé

Diaghilev’s initial reaction to Daphnis et Chloé, documented in Jean-François Monnard’s excellent booklet-note, was ‘Ravel, it is a masterpiece, but...

Reviewed by Mark Pullinger in issue: 06/2017

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