Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Two of Bach’s most sublime solo cantatas sung by a singer of Philippe Jaroussky’s lyrical beauty and poise is without...
Reviewed by Lindsay Kemp in issue: 12/2016
This latest release by one of today’s greatest lutenists features the music of, as Jakob Lindberg writes, ‘arguably the greatest...
Reviewed by William Yeoman in issue: 12/2016
Paderewski’s fame as a pianist was on a par with that of Liszt and Anton Rubinstein, a fact that has...
Reviewed by Patrick Rucker in issue: 12/2016
With the exception of the Organ Symphony and the Vision of Christ-Phoenix, organists have shown little enthusiasm for the music...
Reviewed by Marc Rochester in issue: 12/2016
There’s surprisingly little solo Schubert in Lars Vogt’s discography, so this Ondine disc is welcome. What it reveals, however, is...
Reviewed by Hugo Shirley in issue: 12/2016
It seems strange that my first thought on hearing Louis Schwizgebel’s Schubert was that it feels insufficiently Beethovenian – or...
Reviewed by Hugo Shirley in issue: 12/2016
As the Italian guitarist, composer and musicologist Angelo Gilardino writes in his booklet-note, ‘I am not concerned about whether my...
Reviewed by William Yeoman in issue: 12/2016
One can sense Glen Wilson’s frustration when in the booklet-note for this release he directs us towards a more extensive...
Reviewed by Lindsay Kemp in issue: 12/2016
This new, well-filled disc from Joseph Moog, Gramophone’s 2015 Young Artist of the Year, gives us a chance to assess...
Reviewed by Hugo Shirley in issue: 12/2016
The centrepiece of Turin-born Gabriele Carcano’s debut recording of early Brahms is the mighty F minor Sonata, Op 5. He...
Reviewed by Patrick Rucker in issue: 12/2016
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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