Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘It must be very simple in expression, as if Mozart were playing in Spain’, Enrique Mazzola tells his players during...
Reviewed by Tim Ashley in issue: 06/2017
Yannick Nézet-Séguin is one of the busiest conductors on the international classical music circuit. Criss-crossing between Montreal and Rotterdam, Philadelphia...
Reviewed by Mark Pullinger in issue: 06/2017
Dutilleux’s Second Symphony (1957 59) has not quite achieved standard-repertoire status despite a fair number of commercial recordings. Its distinctive...
Reviewed by David Gutman in issue: 06/2017
Since Furtwängler and the Vienna Philharmonic took the Romantic Symphony on a tour of Germany in the autumn of 1951,...
Reviewed by Peter Quantrill in issue: 06/2017
This latest issue on the Royal Concertgebouw’s own label is a celebration of its honorary conductor, Bernard Haitink. As a...
Reviewed by Harriet Smith in issue: 06/2017
Mark Elder sets the scene with great potency in the D minor First Concerto, conjuring a whole range of emotions,...
Reviewed by Harriet Smith in issue: 06/2017
There were those who used the occasion of Pierre Boulez’s death in 2016 to reiterate the same-old-same-old narrative about the...
Reviewed by Philip Clark in issue: 06/2017
Having made his reputation in film and television, Richard Blackford (b1954) later enjoyed success with several major choral works. Instrumental...
Reviewed by Richard Whitehouse in issue: 06/2017
A highly original concept, the subtext: music and dictatorship. As Michael Sanderling himself implies in a persuasive preface to the...
Reviewed by Rob Cowan in issue: 06/2017
Discreetly attentive to detail yet exalted in expression, a Festival Hall Pastoral from this team last January raised expectations that...
Reviewed by Peter Quantrill in issue: 06/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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