Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is rather delicious, and features quite a range of salon music, from the pleasant galanteries of the various trios...
Reviewed by David Threasher in issue: 06/2017
Bach arranged for cello, mandolin and double bass must be a first, so hats off to Yo Yo Ma, Chris...
Reviewed by Charlotte Gardner in issue: 06/2017
Time was the only music one encountered on disc by Grażyna Bacewicz was the Music for Strings, Trumpet and Percussion...
Reviewed by Guy Rickards in issue: 06/2017
‘Rococo’, for which Dorothee Oberlinger directs the brilliant Ensemble 1700, may be themed around Sanssouci but this is no narrow...
Reviewed by Charlotte Gardner in issue: 06/2017
This discerning programme of French concertos from the first half of the 20th century is the worthy sequel to a...
Reviewed by Patrick Rucker in issue: 06/2017
First to arrive was a CD called ‘Equal’ (7/16), the focus there being Beethoven’s Violin Concerto, and now we have...
Reviewed by Rob Cowan in issue: 06/2017
Daniel Hope’s ‘For Seasons’ album is struggling to be high-concept but much of the music that supports the concept is...
Reviewed by Philip Kennicott in issue: 06/2017
Andrew Manze takes a markedly more objective view of RVW’s A Pastoral Symphony than most of his rival interpreters on...
Reviewed by Andrew Achenbach in issue: 06/2017
I have always had a soft spot for Sousa. A Columbia 78 in my parent’s collection was an early favourite...
Reviewed by Jeremy Nicholas in issue: 06/2017
The solo clarinet that stands on the threshold of Sibelius’s symphonic journey is quite simply the palest, chilliest, loneliest sound...
Reviewed by Edward Seckerson in issue: 06/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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