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Review of SCHUMANN Fantasie. Kreisleriana

SCHUMANN Fantasie. Kreisleriana

Jean-Philippe Collard’s discography is weighted toward his compatriots, including much-lauded Fauré and Saint Saëns, but during the 1970s he made...

Reviewed by Patrick Rucker in issue: 06/2017

Review of SCHUBERT Piano Sonatas Nos 13 & 21

SCHUBERT Piano Sonatas Nos 13 & 21

Nine years have passed since Javier Perianes’s first disc of Schubert and here he programmes two utterly opposing sonatas, the...

Reviewed by Harriet Smith in issue: 06/2017

Review of RAVEL Miroirs SCRIABIN Piano Sonatas Nos 3 & 10

RAVEL Miroirs SCRIABIN Piano Sonatas Nos 3 & 10

Andrew Tyson keeps his headstrong and occasionally restless interpretative temperament in focus throughout most of his second solo CD, in...

Reviewed by Jed Distler in issue: 06/2017

Review of PAGANINI Bel canto

PAGANINI Bel canto

‘I rather assumed that the sound would be unique right from the start’, recalled Robert Schumann of Paganini’s playing. ‘Nothing...

Reviewed by Richard Bratby in issue: 06/2017

Review of FRESCOBALDI Organ Works

FRESCOBALDI Organ Works

It is heartening to know that Girolamo Frescobaldi’s legacy continues some 374 years after his death. Born in Ferrara in...

Reviewed by Malcolm Riley in issue: 06/2017

Review of Angela Hewitt: Chopin

Angela Hewitt: Chopin

As the booklet-notes point out, the big news emerging from the 1980 Chopin Competition was the jury’s decision not to...

Reviewed by Patrick Rucker in issue: 06/2017

Review of CHOPIN Emmanuel Despax

CHOPIN Emmanuel Despax

Emmanuel Despax prefaces his recording of Chopin’s Preludes with a booklet-note that explains his concern for textual accuracy and avoidance...

Reviewed by Jed Distler in issue: 06/2017

Review of BEETHOVEN Piano Sonatas Vol 6

BEETHOVEN Piano Sonatas Vol 6

Jonathan Biss’s slowly evolving Beethoven sonata cycle has now reached Vol 6. And the main offering here is the greatest...

Reviewed by Harriet Smith in issue: 06/2017

Review of WAGNER Lohengrin

WAGNER Lohengrin

Just as the drying-up of studio recordings (never plentiful) of Wagner’s ‘romantic opera’ seemed to threaten the work with ill-earned...

Reviewed by Mike Ashman in issue: 06/2017

Review of VERDI Oberto

VERDI Oberto

Verdi’s second opera has fared surprisingly well on record, especially if you include its appearances on DVD. In the audio-only...

Reviewed by Hugo Shirley in issue: 06/2017


 

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