Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Jean-Philippe Collard’s discography is weighted toward his compatriots, including much-lauded Fauré and Saint Saëns, but during the 1970s he made...
Reviewed by Patrick Rucker in issue: 06/2017
Nine years have passed since Javier Perianes’s first disc of Schubert and here he programmes two utterly opposing sonatas, the...
Reviewed by Harriet Smith in issue: 06/2017
Andrew Tyson keeps his headstrong and occasionally restless interpretative temperament in focus throughout most of his second solo CD, in...
Reviewed by Jed Distler in issue: 06/2017
‘I rather assumed that the sound would be unique right from the start’, recalled Robert Schumann of Paganini’s playing. ‘Nothing...
Reviewed by Richard Bratby in issue: 06/2017
It is heartening to know that Girolamo Frescobaldi’s legacy continues some 374 years after his death. Born in Ferrara in...
Reviewed by Malcolm Riley in issue: 06/2017
As the booklet-notes point out, the big news emerging from the 1980 Chopin Competition was the jury’s decision not to...
Reviewed by Patrick Rucker in issue: 06/2017
Emmanuel Despax prefaces his recording of Chopin’s Preludes with a booklet-note that explains his concern for textual accuracy and avoidance...
Reviewed by Jed Distler in issue: 06/2017
Jonathan Biss’s slowly evolving Beethoven sonata cycle has now reached Vol 6. And the main offering here is the greatest...
Reviewed by Harriet Smith in issue: 06/2017
Just as the drying-up of studio recordings (never plentiful) of Wagner’s ‘romantic opera’ seemed to threaten the work with ill-earned...
Reviewed by Mike Ashman in issue: 06/2017
Verdi’s second opera has fared surprisingly well on record, especially if you include its appearances on DVD. In the audio-only...
Reviewed by Hugo Shirley in issue: 06/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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