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TCHAIKOVSKY Violin Concerto. Rococo Variations

‘The violin is no longer played: it is tugged about, torn, beaten black and blue.’ Eduard Hanslick’s verdict on the...

Reviewed by Mark Pullinger in issue: 02/2018

STRAVINSKY Chant Funèbre. The Rite of Spring (Chailly)

It’s only 10 and a half minutes long, but Stravinsky’s Funeral Song shares top billing on this new Decca disc...

Reviewed by Mark Pullinger in issue: 02/2018

STRAVINSKY The Rite of Spring (Rattle)

The long-term nature of the relationship between Rattle and the LSO had not been formalised when this concert was broadcast...

Reviewed by Peter Quantrill in issue: 02/2018

STRAUSS Tod und Verklärung. Aus Italien

Sebastian Weigle’s ongoing series of Strauss’s orchestral works – one of several under way from a variety of sources –...

Reviewed by Hugo Shirley in issue: 02/2018

SHOSTAKOVICH The Gadfly

That The Gadfly (1955) is both tuneful and engaging has sometimes been taken to reflect Shostakovich’s improved political situation following...

Reviewed by David Gutman in issue: 02/2018

SHOSTAKOVICH Concerto for Piano & Trumpet. Symphony No 9

Though Martha Argerich first recorded the Shostakovich Concerto for piano and trumpet in 1993 (DG, 1/95), most fans probably know...

Reviewed by Patrick Rucker in issue: 02/2018

DE RAAFF Violin Concerto. Symphony No 1

He is yet to enjoy much profile in the UK but Robin de Raaff (b1968) is among the leading Dutch...

Reviewed by Richard Whitehouse in issue: 02/2018

PROKOFIEV Symphonies Nos 2 & 3 (Jurowski)

This is the first instalment of yet another Prokofiev symphony cycle in what has lately become a hotly competitive field....

Reviewed by David Gutman in issue: 02/2018

PROKOFIEV Violin Concertos (Pietsch)

Turning her back on the recent fashion for mixing Prokofiev’s concertante and chamber works and having already recorded the violin...

Reviewed by David Gutman in issue: 02/2018

PAGANINI; WOLF-FERRARI Violin Concertos

DG has a good track record with Paganini’s First Violin Concerto: five different recordings by different artists currently available on...

Reviewed by Jeremy Nicholas in issue: 02/2018

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