Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The largest work on this third Champs Hill release devoted entirely to Cheryl Frances-Hoad’s music is Katharsis (2013), written for...
Reviewed by Guy Rickards in issue: 09/2017
Baroque Song (2007) draws on chorale preludes for organ by Bach – Thierry Escaich is organist at the Church of...
Reviewed by Andrew Farach-Colton in issue: 09/2017
Chineke!’s motto is ‘Championing change and celebrating diversity in classical music’. Its orchestra, made up of young Black and Minority...
Reviewed by Mark Pullinger in issue: 09/2017
Callirhoë is no mere ballet score but a ‘ballet symphonique’, a title perhaps inspired by Litolff’s earlier five concertos symphoniques....
Reviewed by Jeremy Nicholas in issue: 09/2017
The late works of Elliott Carter (1908 2012) are so numerous as to constitute an output on their own. Just...
Reviewed by Richard Whitehouse in issue: 09/2017
The Chicago Symphony Orchestra has a long tradition of performing Bruckner’s music, the Fourth Symphony having featured in concert as...
Reviewed by Christian Hoskins in issue: 08/2017
In a personal booklet note for this set Andris Nelsons celebrates the recorded legacy of Brahms in Boston, referencing complete...
Reviewed by Edward Seckerson in issue: 09/2017
Keen-eared collectors will enjoy spotting the differences between Walton’s original 1939 version of the Violin Concerto (familiar to connoisseurs from...
Reviewed by Andrew Achenbach in issue: 09/2017
The continuation of CPO’s Hendrik Andriessen series shows the Dutchman to be nothing if not consistent. His music is always...
Reviewed by David Fanning in issue: 09/2017
Mendelssohn’s five numbered symphonies make a motley collection: a piece of precocious juvenilia, three ‘named’ symphonies, only one of which...
Reviewed by Richard Wigmore in issue: 09/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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