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HARRISON Return of the Nightingales

The piano music on this disc all comes from the past five years, following on a comparable period when Sadie...

Reviewed by Richard Whitehouse in issue: 02/2018

GRANADOS Piano Works

After her quite exceptional accounts of both Rachmaninov sonatas (8/14), Xiayin Wang turns her attention to the rather different but...

Reviewed by Jeremy Nicholas in issue: 02/2018

GLASS Complete Piano Etudes

The Dutch pianist Jeroen van Veen rarely does things by half measures. His nine-disc ‘Minimal Collection’ (Brilliant Classics, 2009) remains...

Reviewed by Pwyll ap Siôn in issue: 02/2018

DEBUSSY Préludes. Children's Corner (Jumppanen)

This fascinating new two-disc set of Debussy, superbly recorded by Ondine, presents the bona fides of the Finnish pianist Paavali...

Reviewed by Patrick Rucker in issue: 02/2018

Sabine Weyer: Bach to the Future

Don’t believe this recital’s ‘Bach to the Future’ title, for Sabine Weyer’s full-throated and colourful pianism is decidedly ‘old school’....

Reviewed by Jed Distler in issue: 02/2018

JS BACH Italian Concerto. Partita No 2

Simone Leitão’s pianistically orientated Bach interpretations may not be the last word in stylish rectitude, yet they’re inherently musical. Note...

Reviewed by Jed Distler in issue: 02/2018

JS BACH Sonatas and Partitas (Midori; Begelman)

How to get close to the authentic Bach has been both Midori and Begelman’s starting point for tackling this much...

Reviewed by Charlotte Gardner in issue: 02/2018

Victor de Sabata: Recordings on Deutsche Grammophon and Decca

Rarely in the history of the gramophone can so eclectic a mix of works have been recorded to such thrilling...

Reviewed by Rob Cowan in issue: 02/2018

SHOSTAKOVICH; WIENIAWSKI Violin Concertos

A Polish concerto performed by a Polish soloist and a Polish orchestra … though not quite on the same disc....

Reviewed by Mark Pullinger in issue: 02/2018

VIVALDI The Concertos for Recorder

Given that any new recording of Vivaldi’s six recorder concertos inevitably prompts the question ‘Why?’, this new offering from the...

Reviewed by Charlotte Gardner in issue: 02/2018

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