Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A bizarre concept: a 50th-anniversary celebration of Karajan’s Salzburg Easter Festival by his major disciple Christian Thielemann which comprises a...
Reviewed by Mike Ashman in issue: 01/2018
In a short booklet essay, the director of this Fliegende Holländer, Àlex Ollé, tells us that he and his creative...
Reviewed by Hugo Shirley in issue: 01/2018
With a coupling of Ein Heldenleben and Macbeth released on Pentatone last year (11/16), Andrés Orozco-Estrada and the Frankfurt Radio...
Reviewed by Hugo Shirley in issue: 01/2018
At least my colleague David Patrick Stearns will be pleased. He eagerly anticipated the release of this film in his...
Reviewed by Peter Quantrill in issue: 01/2018
One part of the booklet describes Kaija Saariaho’s Only the Sound Remains as ‘two Noh plays’ and another ‘two short...
Reviewed by Andrew Mellor in issue: 01/2018
After a Mozart disc, given a guarded welcome by Richard Wigmore in these pages (Warner Classics, 10/14), the Latvian soprano...
Reviewed by Hugo Shirley in issue: 12/2017
It’s such a simple solution that it’s hard to believe it has taken this long for the opera world to...
Reviewed by Alexandra Coghlan in issue: 01/2018
‘Ecco un artista’ says Tosca as her boyfriend flops to the floor, in fact mortally wounded and not showing any...
Reviewed by Neil Fisher in issue: 12/2017
Jérémie Rhorer and his lively period forces won plaudits in these pages and elsewhere for their Paris recordings of Die...
Reviewed by Richard Wigmore in issue: 01/2018
The plot of Handel’s early London opera Silla (1713) concerns the dissolute and ruthless Roman dictator Lucius Cornelius Sulla, whose...
Reviewed by David Vickers in issue: 01/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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