Review - David Oistrakh: The Warner Remastered Edition – The Complete Columbia & HMV Recordings
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
The most successful British operas of the last few years would suggest that a sizeable strand of the opera audience...
Reviewed by Andrew Mellor in issue: 03/2018
Although this production of the teenage Mozart’s Lucia Silla was first seen at the Salzburg Festival in 2013, it was...
Reviewed by Hugo Shirley in issue: 03/2018
The libretto of Lotario (1729) was adapted from Orlandini’s Adelaide, which Handel had probably heard recently in Venice while recruiting...
Reviewed by David Vickers in issue: 03/2018
Back in 2004 a rising young countertenor released his first solo recording of arias by Handel and Mozart (Arte Nova,...
Reviewed by Alexandra Coghlan in issue: 03/2018
The general consensus is that Bizet’s first mature work is a decent piece of music but not such a great...
Reviewed by Andrew Mellor in issue: 03/2018
Hot on the heels of Opus Arte’s release of the Royal Opera’s new Norma, given a guarded welcome by Neil...
Reviewed by Hugo Shirley in issue: 03/2018
Daniel Barenboim’s first solo Debussy CD is not as new as it appears. The Préludes Book 1 comprise the soundtrack...
Reviewed by Jed Distler in issue: 03/2018
The concept behind Lise de la Salle’s ‘Bach Unlimited’ is to interweave music either written by or inspired by JS...
Reviewed by Jed Distler in issue: 03/2018
Like APR’s earlier release of Hambourg’s complete Liszt Hungarian Rhapsodies (1/06 – a gramophone first), this selection of 49 different...
Reviewed by Jeremy Nicholas in issue: 03/2018
Karol Szymanowski was neither one of the 20th century piano-virtuoso-composers on the model of Bartók or Prokofiev nor an ardent...
Reviewed by Patrick Rucker in issue: 03/2018
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
In our current dark times we need Debussy as much as ever. And this book is a perfect way in if you...
Rob Cowan on the legacies of a trio of conductors in the music in which they excelled
Rob Cowan’s monthly survey of historic reissues and archive recordings
Rob Cowan dives into Warner’s second volume of Wolfgang Sawallisch’s recordings
It’s hard to think of another book about a specific instrument that goes quite as deep as this
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