Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Nicola Porpora was long famous by association rather than through his own music. In the early 1750s he was mentor...
Reviewed by Richard Wigmore in issue: 04/2018
Three Way is a trio of one-act operas by composer Robert Paterson and librettist David Cote. In The Companion, a...
Reviewed by Andrew Farach-Colton in issue: 04/2018
Monteverdi would hardly have returned to the composition of works for the theatre at such an advanced age had it...
Reviewed by Iain Fenlon in issue: 04/2018
What most strikes one about Marais’s Sémélé is the professional conception of this masterpiece of tragédie lyrique. Marais and his...
Reviewed by Julie Anne Sadie in issue: 04/2018
In his booklet note, Carlo Ipata advises that this is only ‘one of the many possible’ portraits of Francesco Gasparini....
Reviewed by Lindsay Kemp in issue: 04/2018
Bruce Levingston’s annual solo CD releases follow a pattern consisting of a poetic title and a programme interweaving old and...
Reviewed by Jed Distler in issue: 04/2018
This is an engaging – and engagingly played – programme of mostly unfamiliar music for wind quintet. The New Brunswick-based...
Reviewed by Guy Rickards in issue: 04/2018
More than half of this disc of music by the American composer Mark Volker is devoted to the titular Young...
Reviewed by Donald Rosenberg in issue: 04/2018
Paul Moravec’s ambitious The Blizzard Voices chronicles a snowstorm that suddenly struck across the upper Midwest in 1888 and killed...
Reviewed by Laurence Vittes in issue: 04/2018
This fascinating tribute to Frank Martin is dominated by a chamber edition of nine movements from Ein Totentanz zu Basel...
Reviewed by Laurence Vittes in issue: 04/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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